Presentations and Abstracts
Abstracts
Oral presentations
Posters
Please download the Abstracts here!
Oral presentations
Philip P. BETANCOURT, Did the Goddess with Upright Arms have a Bench Shrine in the Inatos Cave? |
Fritz BLAKOLMER, Beyond the Body: Facial Expression, Human Interaction and Narrativity in Aegean Iconography |
Anastasia DAKOURI-HILD, Image and Affect: The Curious Case of Tanagra |
Eleni DRAKAKI, “It’s in the Hands”: A Gesture of Reverence or Strength? |
Susan C. FERRENCE – Philip P. BETANCOURT – Alessandra GIUMLIA-MAIR – James D. MUHLY, Two Embracing Men: A Mysterious Gold Pendant from the Cemetery of Petras, Siteia, Crete |
Katerina GIANNAKI, The Function of Minoan Cheironomy |
Ute GÜNKEL-MASCHEK, Expressions of Grief and Performances of Lament in the Neopalatial Period |
Bernice R. JONES, The Iconography of the Knossos Snake Goddesses Based on their Gestures, Stances, Movements and Attributes |
Christos KEKES, “Hands on Abdomen”: Unveiling the Polysemy of an Aegean Gesture |
Robert B. KOEHL, The Mycenaean Lunge and Thrust |
Nanno MARINATOS, Gestures in Minoan and Egyptian Art |
Maria MINA, Kept in the Dark: Bodily Movement as Multisensorial Experience in Minoan Cavernous Spaces |
Michele MITROVICH, The Human Body as a Shrine or the Breast of Both Worlds: The Application of Sociobiology and Evolutionary Psychology to the Study of the Iconography of the Human and the Divine in Bronze Age Crete |
Céline MURPHY, Tense Bodies and Formal Salutes: Examining Representations of the Male Torso |
Diamantis PANAGIOTOPOULOS, Powerless Images (?). (Mis-)reading Gestures and Stances in Aegean Iconography |
Angelos PAPADOPOULOS – Vassiliki (Vanessa) PAPPA, The Stages of Death in the Late Bronze Age Aegean: Before, During and After the Moment of Dying |
Laetitia PHIALON, A Simple Touch? Reassessing Aegean Bronze Age Depictions of Human and Animal Figures Interacting with a Tree or a Column |
Paz RAMIREZ-VALIENTE, Gesturing Age, Posturing Gender. The Neolithic Antecedents of Bodily Comportment in the Aegean |
Anna SIMANDIRAKI-GRIMSHAW, Overt and Covert Bodily Communication in Bronze Age Crete |
Alexia SPILIOTOPOULOU, The Gesture of the Male Bronze Figurine from Katsambas |
Caroline TULLY, Against Nature: Tree-Shaking Action in Minoan Glyptic Art as Agonistic Behaviour |
Veronika VEREŠOVÁ, Triumph and Defeat. Emulating Postures of Near Eastern Rulers in Aegean Iconography |
Diana WOLF, Ariadne’s Dance: Staging Female Gesture in Neopalatial Soft Stone Glyptic |
Posters
Stephanie AULSEBROOK, Vessel-Based Gestures in Aegean Bronze Age Iconography |
Tina BOLOTI, do-ra pe-re: Bodies in Ritual Action(s) in the Aegean 2nd Millennium B.C. |
Massimiliano CARBONARI, Gesture, Action and Conflict: Hunters and Prey in Mycenaean Wall Paintings |
Emily C. EGAN, Mirror Images: Dual Bodies and Illusion in Aegean Art |
Filip FRANKOVIĆ – Uroš MATIĆ, The Last Man Standing – Body Poses of Defeated Warriors in Late Bronze Age Aegean Iconography and Their Egyptian Comparanda |
Jacob E. HEYWOOD, Funeral or ‘Biography’? Re-considering the Potential Identities of Figures on the LM III Hagia Triada Sarcophagus |
Louise A. HITCHCOCK, From the Here and Now, to the There and Then: The Most Powerful Woman in Minoan Crete? |
Sotiria KIORPE, Talking from the Grave: Communicative Gestures and the Creation of Communal Ties in EBA Burials from the Petras Cemetery, Siteia, Crete |
Susan E. POOLE, Does the Analysis of Gesture in Minoan and Mycenaean Art Contribute to our Understanding of Gender Roles and Relations in the Pre-historic Aegean? |
Lucie VALENTINOVÁ, Non-Narrative Rendering of Individual Identity: Absorption and Distance |